.TWO YEARS AHEAD AND ONE BEHIND SEEMS THE COURSE OF MY PRODUCTION, ALONG WITH MORE AT ONCE THAN A SINGLE AREA OF FOCUS. (2-D / 3-D OR SOMEWHERE IN BETWEEN)
THAT IS, VISUAL IDEAS IN THE FORM OF NOTES & PLANS, SKETCHES, DRAWINGS AND OR MAQUETTES CAN SET ABOUT AS LONG AS A YEAR OR TWO PRIOR TO ANY ACTUAL FULL SCALE PRODUCTION BEGINNING AND EVEN THEN, TRIAL AND ERROR MAY BE MORE A CONTRIBUTING FACTOR THAN MIGHT BE EXPECTED WHICH AGAIN ADDS TO THE OVERALL TIME FRAME UNTIL COMPLETION.
EXCEPTION TO THIS PRACTICE IS NOTABLE IN THE AREA OF SPECIFIC COMMISSIONS WHERE A SPECIFIC TIME FRAME HAS BEEN ESTABLISHED (NECESSARY).
PRODUCTION IS NOT CARRIED ON IN THE FRAMEWORK OF “SERIES” OR WHAT MIGHT BE TERMED “SERIAL IMAGERY” WHICH IS MORE SPECIFICALLY A TERM OF ART CRITICAL REFERENCE VIA THE 1960’S.
A “GROUP” CONTEXT IS CLOSER TO MY VIEWPOINT…. (EVEN IN THE POSSIBILITY OF A SINGLE WORK PRODUCED MULTIPLE TIMES IN DIFFERING MATERIALS AS MIGHT BE DEMONSTRATED IN A SERIAL FORMAT).